How I Write Books

“This is how you do it: you sit down at the keyboard and you put on word after another until it’s done. It’s that easy, and that hard.” – Neil Gaiman

There are many ways to plan and develop a novel, and it’s up to you as a writer to figure out what works best for you. As much as it pains me to say it, the less planning I give to a novel before I start to write it, the better the novel turns out. This is because my writing style only allows me to write out a story if I only have a vague sense of where I’m going because most of the fun of writing for me is discovering where I’m going along the way. If I know all the little details before I start writing and there are no secrets for me to uncover, it just feels like a chore, and that’s when the writer’s block creeps in.

Okay, so I just put words down on the page, one after another, but what do I do after the first draft is completed?

To put it frankly, the real work begins as I am now tasked with extreme revisions and even rewrites to fix the copious amount of errors in my first draft. But the difference is that I have the entire story written out and have a firm understanding of my characters and setting. If I tried to plan it all out first, the first draft would never get finished because my motivation to put words down on paper would be lost.

At this point, I am working on the first book in a trilogy and after going through and revising many scenes and even rewriting entire chapters, I decided to switch the POV from first-person to third-person, which I am only a couple chapters into at this point. Meanwhile, I’ve been struggling to start the second book because I wanted to have my shit together before writing it so I didn’t have to do all this work after finishing it, like I’m doing with book one.

Three months went by from finishing book one to starting book two, and I have four false-starts to that book because I was trying to get it juuuuust right, instead of just letting myself do my thing. Then, this weekend, I decided to just write what I wanted to right and trust myself to fix it in the revision-stage, and suddenly I was able to write 5,000 words and have my second book exactly where I wanted it to follow the first one. So as much work as revising and rewriting an entire book is, I have finally accepted that this is my writing style, which will now allow me to get more writing done.

It’s important for us as writers to reflect on what works and doesn’t work for us and our craft, and not try to force ourselves to do things a certain way because it seems better. Listen to your heart and mind, and if something doesn’t feel right, figure out why. It could either be that you believe that you’re doing it wrong or you’re going against what is the right fit for you. This sort of thing takes time, so just be patient with yourself.

One response to “How I Write Books”

  1. It is not so different with non-fiction.

    When I began to turn my essay “Film Noir: A Personal Journey” into a full-length book in July 2017, I envisioned a breezy book which opened with a brief nod to my family history, based almost entirely on my steel-trap memory – and lots of inset capsule summaries of key films. Every chapter and section title was going to be a film noir title – at least until Piu Eatwell did the exact same thing in 2017 with her non-fiction book BLACK DAHLIA, RED ROSE. And I told myself I can knock it out in six months – at most 100,000 words.

    Then…I started not only to write, but to research: genetic testing, records on Ancestry, old newspapers, my own filing cabinets, photographs, other folks’ memories, cemeteries, archives and the search for my genetic family (I was adopted in utero in the summer of 1966). I could now investigate my family history in far more detail than I had ever imagined. The book slowly became less overtly about film noir and more about what happens when you start to investigate all those memories, all those stories you *thought* were true. I dubbed this process “interrogating memory.”

    It took some time to relinquish the “cutesy” approach I had planned, but what I had written now sounded lame, forced, unserious. Not awful, but not good. (I have undergone a parallel process on my website, making my writing more “sober” – and much better).

    I did not REALLY start writing INTERROGATING MEMORY until the spring of 2020, after I had finished the vast majority of my research. Even after I finished a respectable first draft in January 2021, I kept revising – especially after I read the ENTIRE book out loud to my wife Nell, which was the smartest thing I did.

    The point is – writing a book is both art and craft, even with non-fiction; the rules of narrative storytelling apply to both. The art is the flow of words, whether from the imagination or from a diary you kept when you were nine years old. The craft is the proper arrangement of those words. Gaiman is right – the former is **relatively** easy, while the latter can be a tedious chore. But both are necessary for a book worthy of the author’s name.

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