writing career
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Transcript: As we’ve learned during this series about character development, what keeps readers invested in your story isn’t just the plot — it’s the people. Strong relationships drive emotion, tension, and meaning throughout the story and give your readers more to care about and root for. Whether it’s two allies learning to trust each other,
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Transcript: Nothing slows a story faster than an info dump. You know the kind — pages of history, family trees, or magical laws before we’ve even met the main character. Writers include them because we care about our worlds and our characters. We’ve built these intricate systems, designed every corner of a kingdom, traced every
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We are halfway through November, and though it hasn’t turned out like I expected, the Novel November challenge has been going well. I thought I would be able to dive into this new book idea –I even started the challenge with writing the outline from where the first few chapters left off– but I haven’t
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Transcript: It’s Halloween — that magical time of year when villains, monsters, and mischief-makers get to take center stage. And honestly? They deserve it because a story is only as good as the force standing in its hero’s way. Without Darth Vader, there’s no Luke Skywalker. Without Maleficent, there’s no Sleeping Beauty. Without Regina George,
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Transcript: Why do some heroes instantly grab us while others leave us bored, just waiting for something to happen? Think about Frodo in The Lord of the Rings, Katniss in The Hunger Games, or even Miles Morales in Spider-Man: Into the Spider-Verse. Instead of just following their stories, we feel like we’re living them. Today,
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After having participated in the event since 2011, it was heartbreaking to learn earlier this year that National Novel Writing Month (NaNoWriMo) went under. A lot of reasons led to the collapse of this organization, so I won’t get into it here, but it was still a sad moment. NaNoWriMo had been the experience that
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Transcript: Today, I want to talk about gatekeeping, something all of us have experienced and many of us have inflicted upon one another. Because honestly, the level of toxicity oozing into creative spaces because of gatekeeping has gotten out of hand. So today, we’re going to explore what gatekeeping is, what it looks like at
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Transcript: Too slow, and you lose your reader. Too fast, and they’re left confused, flipping back pages like, Wait—how did we get here? Let’s fix your pacing. Pacing is one of the most under-discussed, but absolutely vital, parts of story craft. You can have gorgeous prose, complex characters, and high stakes, but if the story
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Transcript: “Show, don’t tell! Show, don’t tell!” You’ve probably heard it shouted a thousand times in writing advice circles. Maybe even in all caps: “SHOW DON’T TELL!” But here’s the thing: most people who throw that line around don’t actually explain what it means, or when you’re supposed to use it. So instead of nagging
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Transcript: Past tense is classic. Present tense feels urgent. Which one is right for your story? It’s like the difference between hearing “Once upon a time…” and “This is happening right now.” Both can work, but each gives the reader a completely different experience. And yes, there are wrong ways to use them. I’ve read
C. Sloan Lewis | Your Virtual Writing Coach 